卡門畫廊於108年年底推出《永恆的燦爛－沙耆油畫回顧展》並藉由此次展覽，根據沙耆不同時期的作品風格，將其創作生涯分為四個時期，第一個時期為比利時時期(1937-1946)，此時期造型堅實，筆觸悅人，色彩溫暖，形成了一種靜穆和單純的格調。第二個時期為沙村時期(1947-1980)，回國後的作品用筆疏朗，造型拙樸，且能保有歐洲嚴謹的構圖及流暢穩健的筆觸，融合中西、自成風格。第三個時期為韓嶺前期，創作了不少富有象徵寓意的作品，賦予印象派的特徵，筆觸奇妙而生動。第四個時期為韓嶺後期，90年後沙耆創作風格趨於表現和抽象，集印象派、野獸派、表現主義和抽象主義之大成，發揮筆觸和色彩的力量，創作出一幅幅震人心腑的藝術精品。

In the end of 2019, Carmine Gallery is pleased to present "Infinity beauty: Oil Painting Exhibition of Sadji". The exhibition divides Sadji’s career into four periods according to different stages of his practice. The first is Belgium Period (1937-1946), which solid modeling, pleasing brushwork, and warm colours form a solemn and pure style. The second is Sha Village Period (1947-1980). Applying forthright brushwork and unsophisticated modeling, Sadji simultaneously remains European strict composition and stable lines in his practice. This thereby has become his signature style. Afterwards, some symbolic implications with vivid strokes appear in the works of the third period, The Early Stage of Hanling, having a sense of Symbolism. The works of The Later Stage of Hanling are towards more expressive and abstract style, which can also be seen as combining Impressionism, Fauvism, Expressionism and Abstractionism into one. With powerful strokes and colours, Sadji creates these astonishing masterpieces in the last stage of his life.